My intro to LCD was the cover story of the January 2005 (Issue 251) The Wire (not available on The Wire's site but scanned by LCD).
The sense I got from the article was that Murphy believes that the indie scene sucks as much as the major. His current music is his reaction: strip away all the crap and build new sounds out of what's left. It's a tried and true formula–punk was a reaction to prog rock, minimalism to serialism, classical to rococo, etc. Of course the influences are patent but after tearing away all the fat a skeleton remains. The Ramones built their sound on surf, garage and girl groups; Murphy likes the krauts and no-wavers.
As for supposed hipster-cred I don't think Murphy cares a flying fuck. Hip has become so commodified and politicized that it no longer holds any real value. "Losing My Edge" mocks hip til it whithers up and dies; for Murphy, it's time to move on and start making new sounds while still having fun regardless of whether anyone thinks its hip or not. Hip is dead and there's no use crying about it.
The sense I got from the article was that Murphy believes that the indie scene sucks as much as the major. His current music is his reaction: strip away all the crap and build new sounds out of what's left. It's a tried and true formula–punk was a reaction to prog rock, minimalism to serialism, classical to rococo, etc. Of course the influences are patent but after tearing away all the fat a skeleton remains. The Ramones built their sound on surf, garage and girl groups; Murphy likes the krauts and no-wavers.
As for supposed hipster-cred I don't think Murphy cares a flying fuck. Hip has become so commodified and politicized that it no longer holds any real value. "Losing My Edge" mocks hip til it whithers up and dies; for Murphy, it's time to move on and start making new sounds while still having fun regardless of whether anyone thinks its hip or not. Hip is dead and there's no use crying about it.