The 2010 Albums Thread

betao wrote:

Will still catch them live though - definitely.


3D of Massive Attack was just on Zane Lowe's show. Martina Topley-Bird is opening and singing with them in the UK. Not sure of here.
And now for something completely different!

"According to  TwentyFourBit, Jim O'Rourke has produced a Burt Bacharach tribute album to be released April 7 on Japanese label ADWR. Titled All Kinds of People ~Love Burt Bacharach~,
the album contains 11 tracks featuring the likes of Thurston Moore (Sonic Youth), Yoshimi (Boredoms, OOIOO), Glenn Kotche (Wilco, Loose Fur, etc.), Bacharach
collaborator Donna Taylor, free-jazz musician Akira Sakata, Shibuya-kei musician Kahimi Karie, and, of course, O'Rourke himself. If that weren't enough,
O'Rourke, Kotche, and other artists will perform tracks from the album in Tokyo and Osaka in mid-April."
Unless its a well know producer (Eno, Albini, Lanois) I don't really know who produced most of the albums I have; but those JC albums and Wallflowers are excellent. So Rubin's okay in my book.

"Johnny Cash American Recordings albums, there's Tom Petty's Wallflowers"
betao wrote:
The new Massive Attack (Heligoland) is very meh in my opinion. It lacks the etheral/dark feel that always seems to flow so well with 3D's production. I think the album relies way too much on it's collaborations.

Will still catch them live though - definitely.



Just finished listening to that disc this morning.  Agree with pretty much everything you wrote (especially the bolded part) and it's kind of a shame.  Really the first MA disc that didn't completely blow me away.  Couple of good tracks here and then it really picks up around track 8 but ends soon after that.  I'm curious as to how may of these actually beconme part of the setlist when he hits the road over here.

Still….I'm there if/when they get to DC.
Listened to this last night. One of the better pieces of minimalism I've heard in a while.

azaghal1981 wrote:
Carlos Giffoni - Severance

Date not listed.


Rough Trade store review:
while he'll still carry around the tag of 'noise musician' in some quarters, carlos giffoni's recent creative trajectory has seen him venture ever deeper
into the realms of more formal and austere minimalist electronic composition. severance follows on as a natural successor to 2008's adult life, prompting
comparisons to the analogue stringency of mika vainio and pan sonic at their most experimental whilst also doffing a proverbial cap to academic 20th century
synthesizer music. the album is broken up by a series of concrete miniatures, the first of these being 'severance i', which commences the disc with a kind
of industrial hacking noise, beating away belligerently until the first synthesis track blurts in with an undulating throb: 'the hermit' gathers itself
from initial strands of gnarled tonality, eventually introducing sequenced elements that install a rhythmic order. at this point giffoni enters into a
sinister, spiralling soundworld in which starkly malevolent tones hobble around like something from a '70s synth horror soundtrack before crumbling away
and dissolving into a din that sounds rather like v2 bomber drones. so far, so good. even more rhythmic is 'knife', which sculpts raw noise signals into
rudimentary 4/4 beats whilst hypnotic arpeggiating synth patterns lurch around. 'shaved arms' is more aligned with good, old fashioned drone music and
commands a masterful array of buzzing, slowly modulating rasps, sustaining and throbbing with real menace and analogue heft. the last of the long-form
pieces, 'athens', might be the most complex and ambitiously constructed of the lot, combining the various techniques demonstrated in the earlier pieces
into a visceral finished product. here, percussive traits combine with pure analogue sound design and harmonically skewed step sequencing, all building
up to a punishingly extreme climax that crosses over into all-out noise-spewing dirge. another indispensable full-length from the no fun boss.
Has anyone heard, and have an opinion on, The Big To Do by DBT yet? I hope its as good as Brighter Than Creation Dark.
(Don't think this has been posted yet. Sorry if a duplicate.)


Eluvium

"Similes"


You can stream the album here in its entirety.

Pre-orders available now.
I like his live show but could never manage to get into his studio work. It doesn't make sense; I like many other artists who do similar things in studio.
azaghal1981 wrote:
I like his live show but could never manage to get into his studio work. It doesn't make sense; I like many other artists who do similar things in studio.

wow.

this from the guy who likes free jazz, merzbow, experimental noise, etc…

as mentioned in WAYLT, i gave his 4 hour compilation a spin.  made it through once, it was pleasant work music.  not sure when i'm going to have another run-through… it's a big commitment.  i too prefer his live show to his recorded work.
BRMC and Autechre leaked.
Kinda shameless and I didn't want to start another thread about it; only because from times I have promoted….I get people on here who weren't too pleased with my promoting, LOL…..soooooo, here's my mixtape:



The homie Ardamus [spotlight] just sent over his latest mixtape: When Everything Goes Wrong 2.0. The mixtape is a mixture of songs Ardmamus has done over the years that either weren?t tied to a particular project or stuff he did for the sake of nostalgia of the DMV scene that bred him in terms of music. DMV stand up!


1. Mixtape Intro.
2. Cry Now (freestyle)
3. I?m Illy And Successful (freestyle)
4. Drinksmoke (Hiphopapotamus Remix)
5. Cap City feat. YU, Keyote, X.O., Shea Butterfly, Enoch, and Mental Stamina of Rosetta Stamina (prod. by Ardamus)
6. Rattlesnakes feat. Enoch (prod. by Ardamus)
7. Ms. Robinson (prod. by Surock)
8. Body Music feat. Caledon (freestyle)
9. Not A Player Like You (prod. by TECK)
10. American Household (prod. by Yusef)
11. When The Truth Comes Out (prod. by Weirdo)
12. Randomness (prod. by Yosef Una)
13. How Do You Wanna Die? feat. Yusef (prod. by Yusef)
14. Don?t Believe It Then (prod. by RES NULLIUS)
15. I Know You Just Hate Me (freestyle)
16. Outro. (prod. by Constrobuz)


http://kevinnottingham.com/2010/02/24/ardamus-when-everything-goes-wrong-2-0/

Download
http://www.mediafire.com/?lnjogyd2enx

Checked out the new Radio Dept album last night. Its pretty damn good! Some songs sound almost like the Stone Roses.
Pulling down the new Drive By Truckers at the moment, going to check it out during my lunchtime run.
The new Brian Jonestown Massacre is out. Has a pretty weird vibe to it. It was recorded in Berlin and Iceland, which shows in the album imho. The tracks on it that are good, are fucking good, but there are some songs that I can't stand. It's alot dancier too.

"Let's go fucking metal" is so awesome. One of my favorite songs of the year.
azaghal, may you please link me to the new BRMC? or send it my way?
It sounded to me like they were trying to pull off their own Screamadelica. And like you said, hit-or-miss.


betao wrote:
The new Brian Jonestown Massacre is out. Has a pretty weird vibe to it. It was recorded in Berlin and Iceland, which shows in the album imho. The tracks on it that are good, are fucking good, but there are some songs that I can't stand. It's alot dancier too.

"Let's go fucking metal" is so awesome. One of my favorite songs of the year.
azaghal1981 wrote:
Autechre leaked.




….any good?
betao wrote:
The new Brian Jonestown Massacre is out. Has a pretty weird vibe to it. It was recorded in Berlin and Iceland, which shows in the album imho. The tracks on it that are good, are fucking good, but there are some songs that I can't stand. It's alot dancier too.

"Let's go fucking metal" is so awesome. One of my favorite songs of the year.



Has Anton Newcombe lost his goddamn mind, or does he just want everyone to think so? And does it really matter? These among other questions burned my brain throughout my ascetically excruciating listening experience of Brian Jonestown Massacre?s new album, Who Killed Sgt. Pepper? Still, by the time I finally reached the end of its interminable one-hour runtime, I was left with no answers, only further uncertainty ? not only as to the band and their terrifying lack (abundance?) of self-awareness, but also my life, our lives, existence, nature, the Universe. I suddenly hated myself, hated my surroundings; mostly, I hated Anton Newcombe.

Everyone and their sister, at this point, has seen DiG!, the 2004 documentary on Brian Jonestown and their 'feud' with pretty-boy pop hacks The Dandy Warhols. You?ll remember that, at the end of that film, it was decided by a combined court of Judges Joe Brown, Judy, Hatchett, Mathis, and Reinhold that both bands were at total and cosmic fault; that neither was the victor and to no one went the spoils. Both bands were cited for their misuse of irony, their pseudo-clever, celeb-punny names, and their independently derivative, uninteresting 60s-mining sounds, and were sentenced to die by beheading. But while the Dandies indeed met a nasty end by the hand of honorary executioner Roky Erickson, BJTM managed to escape into the dark, damp night. Since it was generally thought that the band would make every attempt to stay off the grid, thus signifying an end to their tactless and profuse recording career, all involved muttered ?eh? and agreed that justice had been served.

But all were wrong. Suddenly, and without any warning at all, comes Who Killed Sgt. Pepper?, a monumental failure of the American judicial system and an aural affront to music lovers worldwide. By now, readers of this site may have heard "Let?s Go Fucking Mental," Sgt. Pepper?s lead single and a pretty good indication of what level of professionalism to expect from the whole damn thing. "Let?s go fucking mental/ La la la la,? Newcombe repeats over and over AND OVER against an Odelay-reject beat. Believe it or not, it?s one of the album?s more listenable songs.

BJTM have apparently wrung the last bitter drops of blood out of the 1960s psych-folk they once co-opted as their own; little of that is found here. Not to speak of its title, ?White Music? is a lazy attempt at ambient drone. Several tracks find the band approximating low-rent Euro club beats and layering them under computerized voices or foreign-language vocals (Newcombe lives part-time in Iceland), to shitty and nonsensical effect. ?This is the One Thing We Did Not Want to Have Happen? starts out promisingly enough as something resembling rock and roll, but lasts about a million minutes too long. Remember when you were a kid in school, and there was always that one other kid who didn?t know when to let up? Like, he?d get really close to your face and repeat a phrase over and over, because he knew it was annoying as all hell? Listening to Sgt. Pepper is a little like that.

Only toward the end of the record does BJTM finally let up, delivering a couple relaxed and half-realized shoegaze jams (?Super Fucked? and ?Our Time?) that come close to being good. Sadly, it is all for naught: closer ?Felt Tipped Pictures of UFOs? is a plodding 10-minute turdfest, all cheesy moonbeam keyboards and a maddening vocal track of a girl arguing about The Beatles. Duh. Why did I expect anything else? Originality on BJTM records has long been hard to come by, and Sgt. Pepper is no exception. Ultimately, whether or not Newcombe is fucking with us becomes irrelevant; if you take the time to listen to an album like this, you?re being played one way or another. You know how O.J. Simpson released that book about if he had done what everyone knew he probably did? BJTM asking who killed Sgt. Pepper is a lot like that. Hey TV judges, howzabout a murder trial?

http://www.tinymixtapes.com/music-review/Brian-Jonestown-Massacre-Who-Killed-Sgt-Pepper
Hilarious review.


RE: Autechre, it held my attention for four solid tracks then fell hard into generic IDM-land. It was late and I was tired so I turned it off then and went to bed.
Whether one agrees with that review or not, the simple literary verbosity of it continues to exemplify why TMT > P4k.